Black and white, start to finish

Monochrome Legacy is the work I make when the day is stripped to its essentials — a hand on a shoulder, a mother's face during vows, the half-second before a room bursts into noise. No colour palette to match, no filter to date it in ten years.

I shoot it alongside film coverage or on its own, and it's the collection I'd choose for my own family. It ages the way good photographs are supposed to: quietly, and well.